Arizona State University debuts the Sidney Poitier New American Film School

[Jünger]

Diversity Trailblazer Sidney Poitier Lends Name to Arizona State University Film School

ASU debuts the Sidney Poitier New American Film School as an “egalitarian” institution aiming to include, and not exclude, students of color and first-generation families.

www.hollywoodreporter.com

Legendary actor Sidney Poitier has leant his name and reputation to Arizona State University's Sidney Poitier New American Film School amid plans to establish campuses in three cities across Arizona and California.


By having Oscar winner Poitier — who in 1964 became the first Black winner of the best actor Oscar for the Arizona-shot Lilies of the Field — lend his name to its film school, ASU is looking to demonstrate that the institution includes, and does not exclude, students of color and first-generation immigrants.


"We've decided to grow the institution and diversify the institution by not becoming more selective, because selectivity is creeping social disruption in a negative way," ASU president Michael Crow tells THR, adding that Poitier symbolizes ASU's quest for inclusion and diversity by having come to Hollywood and movie stardom as an immigrant, by way of New York City and the Bahamas.


"[Poitier] was born in Miami, but really raised in the Bahamas. He then comes to this country, he finds his path, he finds his art, and it's all through work and effort and creativity, and that's what we're after," Crow says.


ASU alumnus and Lionsgate vice chairman Michael Burns recalls when the university first bought the historic Herald Examiner building in Los Angeles as part of a planned film school expansion and being told by Crow that they had yet to name the new facility. "I said, 'What about Sidney Poitier?' He was the first name that popped into my head,” Burns recounts, adding that years earlier he'd met the screen legend and his wife during a dinner with Sherry Lansing and her husband William Friedkin.


"[Poitier] is one of the most elegant men I have ever met in my life, and wicked smart," Burns says. After the Lionsgate exec reached out to the Poitier family, they agreed to lend his name to the Sidney Poitier New American Film School as a symbol of ASU's mission of diversity and innovation for the institution.


In fall 2022, ASU's film school will relocate to a new facility in downtown Mesa, Arizona, while also operating out of the new Los Angeles facility. Sidney Poitier New American Film School students will also get hands-on experience with Hollywood technology through partnerships, including with the John Hughes Institute and Dreamscape Immersive, the virtual reality company.

 

[Eusebius Erasmus]

Poitier was a class act, even if this naming was done to placate the BLM elements.

I have no problem with this.

 

[Thomas More]

Poitier was a class act, even if this naming was done to placate the BLM elements.

I have no problem with this.

This was my first reaction as well, but then I changed my mind. I have a positive view of Poitier. I think of him primarily from the movie "In the Heat of the Night". I think the 60's battles for black civil rights were the real social justice movements, and the modern SJWs have perverted the righteous concept of social justice to fight for civilizational decay.

That being said, I think this film school will probably fight for civilizational decay as well, and even Poitier has probably graduated from advocating righteous black civil rights to advocating modern SJW insanity. In the 60's, blacks like Poitier fought for black civil rights by adopting a cultured, dignified, educated, articulate persona, to show that blacks were the equals of whites in terms of being civilized and refined. Now Shaniqua with her three bastards from three baby daddies and a hard to understand Ebonics vocal pattern is held up as the equal of anything accomplished by dead white men. I'm sure this film school would consider my last sentence as an ideal topic for one of their student's films.

 

[Slim Whitman]

Poitier was a very mediocre talent, artificially boosted and celebrated for much the same reasons that people like Candace Owens are able to earn millions of dollars for milquetoast, derivative punditry. It's fitting that his name will be used to sell affirmative action in the arts.