Luvianka
Kingfisher
Delicious Tacos is arguably the most important American intellectual alive: He’s the most gifted novelist since Gore Vidal; the most acidic satirist and cultural critic since H. L. Mencken; America’s poor, unfortunate and late answer to Michel Houellebecq and the most accomplished ornithologist since Arthur Cleveland Bent.
A prolific blogger and a serious and committed Twitter® personality with a taste for high protein barely cooked red meats, and sweet and warm Asian and Mexican barely legal pussy; his intellectual stature is only matched by his physical beauty, exposed through his beautiful, muscular, masculine, desirable body, typical of a Greek god. This time Tacos delivers his latest piece, his very much expected, ground-breaking novel ‘Finally, Some Good News’ -a work of fiction that will define writing for a whole generation.
Here, Tacos pictures a dystopian world where men and women are rounded and lead like a herd by a Satanic all powerful, omnipresent force -Corporate America. This amorphous evil entity is so pervasive and mighty that always gets its way to get the common folks to willing fully and happily enslave themselves in inconsequential jobs, so they can engage in compulsive consumerism. A force that provides circus to the masses in the form of tasteless TV shows. A force that convinces both sexes to hate each other, where masculine virtues must be denigrated and banned, while female essence is to be corrupted as soon as possible. A force that gets people to believe that the arid, soulless, crime infected urban scenarios are worth it to live in, no matter if that means de drowned in unpayable debts until the day you die. Under such amount of hopeless insanity, nuclear annihilation of society looks like the only rational thing to do. Humans then will enjoy real freedom again, even if this comes with a heavy price tag to pay for in the form of fighting feral gangs roaming among the carcass of civilization to robe, rape and kill for a piece of food; cannibalizing the flesh of an undesired newborn, having to live among high radiation nuclear waste everywhere; or having to deal with flocks of feral intrusive bird species which no longer fear humans.
While the topic of the cataclysmic collapse of a modern society is not new in fiction, Tacos develops on this topic with a new metric, not just his personal style. If you expect to find the same kind of writing he creates in his previous book, ‘The Pussy’, you will be disappointed. This novel is clean, lean and tight. The characters are completely anonymous, their names are barely mentioned… You even forget them. The story moves forward with rich short paragraphs. The dialogue is minimum and spaced, every line of it takes a paragraph, in some way it works like a paradoxical lock to the story developed in the previous paragraph. It seems as if Tacos was writing this novel from ‘The Cloud’. Taking pieces here and there and then letting the reader to do the job of filling up spaces and connecting dots. Is Tacos the first novelist of The Cloud? How far are we from having him writing the first Twitter-format novel? Yes, the whole thing reads like a thunder, actually you will be able to read it in one sitting, maybe while you are waiting for your next flight before being raped by a TSA agent who believes you are an ISIS suspect, or while you do your laundry or maybe while you browse a sugar daddy site expecting for replies from the girls you contacted. However, you will read the book again, since you will get the feeling that you understood everything and nothing. That’s the challenge!
If Tacos is not presented the National Book Award, the World is retarded!
