Getting into photography - how to start, what to get?

sterling_archer

Hummingbird
Very cool. You can easily see the difference between various lenses. Is that camera on the site a APS-C? Because when I put 35 mm as a test, really looks like a human eye view.
 

Ringo

Pelican
Gold Member
sterling_archer said:
Anyone know good photography youtube channels worthy subscribing to?

Definitely check out this series by Jessica Kobeissi - Photographers shoot the same model:



You can learn a lot by seeing how they used the same location, wardrobe and model and got completely different results. Example of one the shoots:

Sem_t_tulo.png


Tyler Stalman - https://www.youtube.com/channel/UC6OICk-ceplUJf4sCN3DMnQ


Matt Day - https://www.youtube.com/channel/UCopwCE5bVtffQif8IFkbUuw



Peter McKinnon - https://www.youtube.com/channel/UC3DkFux8Iv-aYnTRWzwaiBA



Joe Allam - https://www.youtube.com/user/AllamJoe/featured (he kind of gets on my nerves but I do enjoy his street photography)

 

sterling_archer

Hummingbird
Tnx Ringo and all others who contributed, now this thread has a very large repository of good information that will serve even for future photographers who lurk around here or will come.

P.S.
20k$ for a camera? :-/
 

rogerflash

Chicken
Volk said:
sterling_archer said:
Ringo, it didn't sound abrasive at all, exact opposite, it is very like something a guy in the local computer shop said to me this afternoon.
To explain further, website of local computer shop has small selection of cameras, but pretty much all of these were discussed here, in this thread or in some way on dpreview. So I decided to go there and check the cameras in person. Someone also gave me that advice on previous page.

Here are cameras I looked at and my impressions:

Nikon D3400
Among the cheapest of the selection. It has lightweight body and plastic that feels a bit cheap, but sturdy. It comes with default kit lens 18-55. Guy in the shop recommended me this one to be my first camera.
He said that people tend to buy into medium budget cameras for their first one and if they are bored, they realize they have spent too much money. If they progress in their skills and decide to buy better camera, next upgrade offers not too much of an improvement since minority buys thousands of dollars camera as their next one. Most will buy just one class higher camera and that seems to be pretty much same as their previous camera, but just with some minor improvements.
His advice is to buy D3400 or Canon 1300D and hone my skills on it. When I outgrow it, invest into something much better that would be base of my future lens investments. He is an amateur and he uses Nikon.

Fuji X-A10
I really liked this one. Huxley is probably laughing now. It is a bit pricier than D3400, but it offers unique feel compared to DSLRs. Sturdy metal body, much heavier than D3400 and with XC kit lens. Despite being a simple box, it has good ergonomics. Guy in the store says it is a very good option, despite him and his friends not having experience with Fuji.

Canon EOS 1300D
Pretty much same deal as Nikon D3400. Physically I think it is a bit larger than Nikon and little heavier. Also it seems to be of better quality. This is a second option according to guy in the shop.

Nikon D5600
I saw on website D5300 and wanted to see it in person, since I read reviews that say it is a very good beginner camera. Unfortunately they have only its upgrade in the store which is a D5600. But being virtually the same in size I checked it out. Sturdy, good looking and distinctly different than D3400. I think the same thing is with D5300, they really can't be much different.

Canon EOS M100
Unfortunately not available in store, only online. Too bad.

If you are buying new, the Nikon D3400 is right on point. The only advantage from the D5600 is the flippy screen. The sensor in that 3400 is great and their two prime lenses (the 35 and the 50) are super cheap and they've got great quality.

In my opinion, if you decide to go for DSLR, go for that Nikon. For mirrorless buy a Fuji. (An Xpro1 used is also a very very good idea tho, and that camera will get you in love with photography)

what about Canon 600D ? is it ok for a beginner?
 

sterling_archer

Hummingbird
Ok, so I now have options regarding buying new, unused camera, but additional option to consider is buying an used one. What would be suitable ones, following the up to 600$ budget and coming with kit lens? I heard some suggestions up to 600$ before but they were basically only regarding body.
 

Ivanis

Kingfisher
sterling_archer said:
Ok, so I now have options regarding buying new, unused camera, but additional option to consider is buying an used one. What would be suitable ones, following the up to 600$ budget and coming with kit lens? I heard some suggestions up to 600$ before but they were basically only regarding body.

I originally ran with a Nikon D3000 that I bought new several years ago. I just started to get outgrow it last year after I had started shooting manual and picking my subjects a lot better.

I just recently picked up a used Nikon D7100 with a 35mm F1.8 lens and battery grip for $600 off eBay. It was a great purchase and I would recommend the camera for the shots I've taken so far. If you want photo samples shoot me a PM and I'll drop you a couple landscapes and portraits.
 

kbell

Crow
Gold Member
SO I'm sending back the tz90. I ordered a tz100 which has a shorter zoom range, but 1" sensor (4 times the size of the tz90) and brighter lens. Should get better indoor pictures, and less blowouts in bright light. I will miss the selfie flip up screen though. That was fun, but all of my other camera don't have a selfie screen. I will just ask someone to take a picture or use a remote shoot.
 

sterlingarcher

 
Banned
[Just to pre-clarify, myself and OP have similar usernames - sorry OP, registered with first name that came to mind!]

Man, I read this thread, and I won't lie, I don't even know what mirrorless/EVF really refer to)) So, I'd say don't get too hung up on the gear. You can always change/upgrade.

I was introduced to photography by a true player who OWNED a photo studio just for gaming chicks)) him and most of the pro-photographers I met through hanging out there used Canon 5D's or 7D's, so I just bought the same, second hand (from someone I knew).

Helmut Newton used to do a lot of his work with a tourist camera (with a simple flash), and it worked out fine for him) You can do so much on photoshop too, so long as your set up is decent, you'll do fine.

Photography is a great, great hobby. I started photography pretty much just for game, but to be honest the game aspect is almost the side benefit for me now. It's a straight up flow activity, you get to spend hours with models in a non-date frame, you give them a whole load of value up front...win-win-win.

Gaming models, sure. I'd say they'll have your number from the get-go though, which is fine, but means;
(a) if she's into you, the whole photography angle is kinda a charade. But then, so is a date to some degree, and it's a WAY better path to the same end,
(b) It's gonna be harder to get the good ones to agree to a shoot, maybe.

Personally, I'd rather get decent and play off the DHV/social circle benefits.

Invest in some tutorials on creativelive too. Definitely worth it. I paid a pro fashion photographer for a few personal tutorials so I could have a photo session without looking like too much of a jerk, and took it from there.
 

sterling_archer

Hummingbird
First name that came to mind? Same here haha! I liked the show (note past tense used) and decided to go for it. Although I am not sure why I choose underscore between names!?

Apart from that, to comment your post. How long are you into photography? In my case I would never invest into expensive camera as a first one like you did. I simply don't have money for it and it would be pointless if I (God forbid) decide to abandon this hobby. How much did you pay for your camera and do you still use it?

So you started just for game but now you feel it is probably the side benefit? I liked to shoot film camera from my dad's so now I want to continue that with digital camera and using Game also as a side benefit.

Please, do tell how your friend gamed with a studio?
 
As someone who shoots agency models as part of my work I'd advise heavily against gaming them in this current climate. Sometimes things happen, but it's definitely more of a slow burn thing. I'd suggest always having a MUA present, too. It really depends on the type of model you're trying to game, though. If it's some wannabe 6/10 from modelmayhem, then things are a bit different.
 

sterlingarcher

 
Banned
sterling_archer said:
Apart from that, to comment your post. How long are you into photography? In my case I would never invest into expensive camera as a first one like you did. I simply don't have money for it and it would be pointless if I (God forbid) decide to abandon this hobby. How much did you pay for your camera and do you still use it?

I have only been into photography for a few years.

I started with a Canon 1D that my friend sold me for nothing, and then upgraded from there. You don't have to start with expensive equipment. As for the investment proving a waste if you don't use it, you can always sell it on.


Please, do tell how your friend gamed with a studio?

That guy was obsessed, and lived for game)) Daygamed for at least a few hours every day, showcasing portfolio on phone, invitation for shoot, invitation for wine...

Any excuse to get chicks through the door actually. He even got one of his female assistants to organise a hen party, then just showed up))
 

Super_Fire

Kingfisher
sterling_archer said:
Fuji X-A10
I really liked this one. Huxley is probably laughing now. It is a bit pricier than D3400, but it offers unique feel compared to DSLRs. Sturdy metal body, much heavier than D3400 and with XC kit lens. Despite being a simple box, it has good ergonomics. Guy in the store says it is a very good option, despite him and his friends not having experience with Fuji.

A good camera, but more for snapping pics of friends and food on vacation.

If you're going to go X series, get the Fuji X-T2 and never look back at any of the substandard, plastic stuff Canon or Nikon is making these days.
 

ksbms

Pelican
Daguerre-1838.jpg


You're not a photographer if you don't recognise this one in an instant. Why is it so unique? Yes, it's the first photograph ever taken and by the inventor of the photographic process - Daguerre. It is a scene in Paris, early in the morning, perhaps 8am but what makes it stand out it tells a story (worth reading upon it). Truly interesting photographs aren't pictures of things out there, but provide the viewer with compelling narrative and story, often full of ambivalence.

Everything else comes the second.

The first step is actually to take pictures with your eyes. True, you won't freeze your snaps for posterity but you can make amazing ones for yourself at any time with no time lag. What matters, is that you can imagine at any time when you're out and about how'd you frame and freeze the things you look at. But then, of course, one day you'll need a tool anyway. However, that's way less important than you think. You get lots of people coming to photography courses armoured to teeth with the best and latest gear and what they produce is... mediocre. What matters is the person behind the camera, the tool not really - most modern cameras are so advanced the differences are small and matter only for professionals (and for big-sized print outs).

If you learn to conceptualize the problems you want to shoot, learn a bit about philosophy of photography, then you'll produce intellectually stimulating, provocative for the viewer and/or aesthetically appealing photographs.

Have a look at Barthes' Lucida Camera, Sontag's On Photography, Waldnen's Photography and Philosophy and, of course, study masters' photographs, from Adams to Cartier-Bresson to Winograd (I'm partial to Street Photo). Very quickly you'll notice that mastering tools is much easier than mastering truly interesting photographs.

Thanks to proliferation of cheap digital cameras and phone cameras, it is so much more difficult to stand out because there are some 2 billion pictures snapped and uploaded every single day. Probably the best site to read upon technical stuff is www.dpreview.com but it's like going down the rabbit hole - you can spend hundreds of hours reading upon reviews, comparisons, lenses, technology. In the end, you will be none the wiser and a photography student with some philosophical-theoretical background and a pin-hole camera will yield superior photographs. I wouldn't recommend to post your pictures to the myriad of online galleries - unless you just want to stroke your ego a bit - you'll get opinions from black to white, amateurs playing pros. All in all, this may stifle your creativity and make you follow certain trends. I'd rather abstain, and focus on the masters and philosophy of the subject. Probably the best thing is just to build your on website - otherwise your pics will quickly vanish in the enormous ocean of pictures upon pictures.

There are some pro-photographers that do projects just with phone cameras. Heck, Soderbergh just made a full feature film with a phone camera only. Becoming either an artist or commercial photographer very difficult because the entry level is so low unlike in the past when the only option was analogue and the skill to develop the film.

However, few people do think philosophically and conceptually about photographs - if one does some serious reading in the history, development and contemporary photography, one can quickly raise a level above people with the best and most advanced gear.

To become successful is a mixture of technical skill, conceptual artfulness, luck, what is en vogue in the art scene and knowing the right people and owners of the right galleries. For shooting for your own pleasure, almost any camera will do.
 

testos111

Robin
kbell said:
So why does the auto setting on a camera underexpose the object in focus if the background is backlit strongly?

It doesn't depend on the mode. Even manual will do that. It depends on the metering system you are using. The default metering system in most cameras is set to evaluative metering which works by exposing each part of the picture by assigning an average exposure to each element. So if something is too bright, the average exposure will go down and hence the subject which is not in highlights will go down. To correct this, you can change the metering system to spot or central metering. Then the camera will give weightage of the overall exposure to where the focus point of the camera is pointing at (your subject). This will then create a new problem where your subject will be well exposed but the already bright background will become even brighter. So the best way out of this situation is to stick to evaluative metering but using a flash to light up your subject. Then you get the subject and negative space properly exposed. If you're resorting to a flash, you'll have to learn using an external flash and firing it through a modifier or bouncing it to avoid getting that harsh looking flash effect.
 

Super_Fire

Kingfisher
ksbms said:
There are some pro-photographers that do projects just with phone cameras. Heck, Soderbergh just made a full feature film with a phone camera only. Becoming either an artist or commercial photographer very difficult because the entry level is so low unlike in the past when the only option was analogue and the skill to develop the film.

However, few people do think philosophically and conceptually about photographs - if one does some serious reading in the history, development and contemporary photography, one can quickly raise a level above people with the best and most advanced gear.

I'll agree to a point, but the right camera can make someone feel addicted to taking photos. An iPhone X will not. The tool won't make you any good, true, it's in your creativity, but a good tool will give your more power to your creativity. It doesn't have to be top of the line, but very good.
 
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