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<blockquote data-quote="TooFineAPoint" data-source="post: 46119" data-attributes="member: 8507"><p>Godard is more of a cinephile's director.</p><p></p><p>Nonetheless, interested folks should check out some of his more accessible works:</p><p></p><p>The Little Soldier</p><p>Band Of Outsiders</p><p>Contempt</p><p></p><p>I think the greatest Godard films are Vivre Sa Vie, Masculine Feminine, and Alphaville. But one has to work up to that vocabulary to get something out of them. </p><p></p><p>Some later stuff like First Name Carmen and In Praise Of Love are amazing... but almost unintelligible if you haven't fully bought in to the earlier stuff and have a very patient attention span.</p><p></p><p>I suggest newbs start with Band Of Outsiders.</p><p></p><p>As to Truffaut, 400 Blows is fantastic, but the absolute best stuff is Stolen Kisses, Two English Girls, and Day For Night. A shit ton of red pill stuff in the last two especially. </p><p></p><p>Then you can check out my man Rohmer...</p></blockquote><p></p>
[QUOTE="TooFineAPoint, post: 46119, member: 8507"] Godard is more of a cinephile's director. Nonetheless, interested folks should check out some of his more accessible works: The Little Soldier Band Of Outsiders Contempt I think the greatest Godard films are Vivre Sa Vie, Masculine Feminine, and Alphaville. But one has to work up to that vocabulary to get something out of them. Some later stuff like First Name Carmen and In Praise Of Love are amazing... but almost unintelligible if you haven't fully bought in to the earlier stuff and have a very patient attention span. I suggest newbs start with Band Of Outsiders. As to Truffaut, 400 Blows is fantastic, but the absolute best stuff is Stolen Kisses, Two English Girls, and Day For Night. A shit ton of red pill stuff in the last two especially. Then you can check out my man Rohmer... [/QUOTE]
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